Hi, it's been a long while I know. Can't believe my last entry was back in August. It's been a little overwhelming for me both home and work wise, but I'm trying to remedy things. Some poetry related highlights over the last few months have included attending some excellent readings by Jo Shapcott and Cherry Smyth, as well as being in the audience for Nine Arches Press's first 'Poet-tea' reading in Leicester. Also managed to catch a couple of writing days at The Poetry Business in Sheffield. Other than that it's been EDITING! Yes, EDITING! This hasn't been easy. Over the last two or so years, (I started wrapping up the Melanchrini manuscript around December 2011), I've written nearly 70 or so (maybe more, hard to tell in a way) poems and come to the conclusion that only around 25 of those are acceptable. That seems low in a way, but I'm getting very fussy. Some poems will need redrafting, some are just sketches and some are not worth reviving. There is a poem cemetery in my hard drive, many poetic corpses are lying around in unmarked graves. I think most poets like to think about new pieces, but I've wondered about those other 'abandoned' poems and what their value was and still might be. Maybe their value was to write other poems alongside them where the original intent was actually realised. I've sent out a lot of 'not ready' poems as well as 'ready' ones and it's only time that makes your realise that. The moral is perhaps to hold on or to get decent feedback.
Anyhow, I have a reading coming up in Beeston! Here's a fabulous poster designed by Pippa Hennessy:
I am reading with John Gallas and Roy Marshall. Readers of this blog will know my high opinion of Roy's work and I'm also looking forward forward to hearing more of John's work. Roy Marshall has an EXCELLENT new collection out now with Shoestring, The Sun Bathers. I hope to write more on this very soon and include a poem from the book. It's wonderful that Roy's work is being so well-received in the press at the moment. His Crystal pamphlet Gopagilla has just been reviewed in The TLS alongside other great pamphlets by Kim Moore, Suzannah Evans, Ian Parks, David Clarke and others.
Come and join us in Beeston!
I will try and keep-up-to-date with this blog promise.
Showing posts with label Pippa Hennessy. Show all posts
Showing posts with label Pippa Hennessy. Show all posts
Sunday, 17 November 2013
Friday, 22 February 2013
Nottingham Festival of Words February 2013
| Who Lives in a House Like This? |
I attended the Nottingham Festival of Words both as a performer and a punter. On Saturday 9th February I read with Jonathan Taylor (we know each other pretty well) at Newstead Abbey. The Abbey is famed for being the family home of Lord Byron and is absolutely stunning. We took the twins along too and one of them was very taken with Lord Byron's indoor swimming pool, which she referred to as 'Byron's paddling pool.' There were other readings that day by C.J. Allen, Mark Goodwin and Chris Jones among others and it was a perfect location for poetry. The twins were also very impressed with a waterfall in the vast grounds of the Abbey that you could walk behind and look at the landscape through falling water.
The reading went very well and I tried out a couple of new poems too, or 'sounded them out' as I like to do with new work. Reading at the Abbey was a real treat and I'm so glad I was asked to take part.
On Saturday 16th Feb I attended the main festival at Nottingham Trent's space age Newton Arkwright building. Due to a neurotic Sat Nav in need of valium we got a little lost and missed the first reading with Sarah Jackson and Rory Waterman among others, but made it in time for lunch. I went to Deborah Tyler-Bennett's workshop to begin, Deborah was also the festival's Poet in Residence. I then had my Tarot read. The cards were friendly enough, no hanged men or falling towers, relief. Then I was in the audience for A.L. Kennedy's keynote speech and what a pleasure that was. I thought of her as a 'writer's writer' in a way, she was full of sensible comment about writing and was equally as funny as she was motivational. She has only one rule for writers, don't be afraid. There appeared to be an A.L. Kennedy wannabee groupie in the front row who couldn't resist asking lots of questions and I thought, this is the kind of writer she is, people immediately warm to her. Let's face it not all writers are personable, but Kennedy is and is genuinely committed to her craft.
After a break with added hot chocolate I went to 'We Used To Live Here' posted by Polly Rowena Atkin with guest poets Tom Warner, Jamie McKendrick and the poetry of Eireann Lorsung. Eireann was unable to come over from Belgium to participate so Polly read one of her poems. While I was familiar with Eireann and Jamie’s work, I’d never come across Warner’s poetry before, so it was a pleasure to hear him read. You can read some of his poems here. I cam away with a copy of his Faber pamphlet.
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| Festival Artwork |
Monday, 31 October 2011
A Woman Walks into a Pub: Shindigs, Flying Geese and Hearing Voices.
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| Hearing Voices Issue 4 - Because you're worth it. |
Doesn't time fly? A busy couple of weeks with some very tip top poetry events to talk about here. I thought I should probably write about these before we plunged into November. The new issue of Hearing Voices is out by the way, more on that later. On October the 18th The Flying Goose Cafe in Beeston opened its doors to a new season of readings, with Jack Underwood, John Lucas and Pippa Hennessey.
This was a lovely evening in a very cosy venue and all three poets, despite being rather different in flavour, complemented each other well. Pippa's reading was warm and memorable and there were some very memorable images in her work. I should really write things down, but there was one about planting a tree in childhood, almost by accident, which grows and flourishes in the future while everything else changes. John Lucas's readings always leave me feeling that I've learnt something worth knowing. John talked about poetry of the Second World War, and read a poem by the American Randall Jarrell. Controversially, John asserted that poetry of this period is the equal and in some cases the more superior when compared to the poetry of the Great War. This threw me, but then I've not read an awful lot of WW2 work, apart from the odd bit of Keith Douglas, so perhaps it's time I delved further. Jack Underwood was a treat, very individual and full of verve. Again I should make notes but I remember devils' mouths replete with slim legs and envy over the pre-pubescent obsessions of girlfriends, such as pet horses. Anyone remember that classic series for girls, 'My Friend Flicker?' I think he has nothing to fear.
Last Monday saw the launch of Issue 4 of Hearing Voices, (yes that’s Hearing Voices, every home should have one!) at The Western Pub in Leicester. The guest readers were Mal Dewhirst, Charles Lauder, Wayne Burrows and Jane Commane. All great, I could write and write but so many other people have done this for me, so I’d suggest looking at some of the blogs below for a more spirited version of events, as I’m a little red eyed and snoozy at the moment. Suffice to say that Wayne’s pop stars and space travellers, Mal’s nature adventures, Charles’ sonorous and quirky work and Jane’s race horses and school anthems were all warmly received by an audience so attentive and wonderful I don’t know if it would be possible to find their like elsewhere. It’s been said before, but I’ll say it again, the open mic at these Shindigs is superb. As Alan Baker put it: ‘Poetry is a participation sport; most readers are also writers of poetry, and the whole scene is democratic and unhierarchical. But this is not to say that standards have to be driven down to the lowest common denominator; there's no reason why that should happen, and the evidence of the Leicester readings is quite the opposite, with people generally trying to raise their game to keep up with others.’ There you go, proof.
Oh, did I mention Hearing Voices is on sale now? And you’d like a copy, well of course you would, you are after all very intelligent! This issue features work by Joanne Limburg, Helen Ivory, Todd Swift, Mark Mawson, Mark Goodwin, David Caddy, Jacqui Rowe, Lydia Towsey, Alan Baker, Tony Williams, Nathan Lunt, George Ttoouli, Jess Mayhew, Matthew Stewart, Deborah Tyler-Bennett and many others. Please send a cheque made payable to Crystal Clear Creators to Jonathan Taylor, Crystal Clear Creators, c/o Department of English and Creative Writing, Faculty of Humanities, Clephan Building, De Montfort University, Leicester, LE1 9BH, U.K. Postage and packing is free!
Gary Longden's blog is here: http://garylongden.wordpress.com/
Matt Merritt's: http://polyolbion.blogspot.com/2011/10/full-house.html
Alan Baker's: http://alan-baker.blogspot.com/2011/10/shindig-in-leicester-this-week-has-been.html
Very much worth a read! As is Hearing Voices, out now! You know the rest...
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