Hi, a
few weeks ago. I was asked to take part in a blogging tag tour by the wonderful
poet Kim Moore. The questions looked interesting and hopefully the answers might
be of some interest to you. Her blog can be found by clicking here.
1)
What am I working on?
I
always seem to write poems with not a great deal of conscious thought as to how
they might link up or might fit in a collection. Sometimes I wonder how other
poets seem to have these big ideas that result in the ‘cohesive’ collection,
with all the poems in the book following similar paths. Maybe that will come? I
love having a constructive poem to work on, but feel a bit at sea when I haven’t
written for a while or working on something that I think is going nowhere. So
I’m not working on a ‘book’ as such, just writing individual poems. At some
point many of these poems will probably find themselves in a manuscript. I like
the idea of not having a map.
2)
How does my work differ from others of its genre?
It
does and it doesn’t, part of me thinks ‘there is nothing new under the sun.’ Surely
everything is influenced by something or has some echo from the past? My aim
has to be to make “it work,’” which, “might be more revolutionary an objective
than making it new” as David Morley once wrote. I don’t compare myself to other
poets in that way, although there are plenty I’ve learnt from. Rather than
differing from ‘others’ I like to differ from what I think of as my own style
of writing now and then. Hence the ‘Poetry Bingo’ card set published by
HappenStance and poems about topics that take me out of my comfort zone; writing
about sex and science matters for instance. I’ve just finished a poem on the
French astronomer La Caille. That’s very different for me!
3)
Why do I write what I do?
4)
How does your writing process work?
There
are quite a few ways. Firstly, reading. If I’m stuck, I’ll read. I’ll read
poetry that I love or new poetry I’m excited about reading. I spend lots of
money on books! I’ll then pick up a pen and see where it takes me. There’s also
nothing better than a good, immersive novel. The thing is, however, I don’t
feel inclined to write poetry when I’m lost in a novel! That comes after.
Sometimes
I just have an idea and I have to get it down on paper. This can happen at any
time, I might be doing something completely different: swimming, walking, admin
chores, and then bang! It has to be done, people sometimes say, as did the late
Seamus Heaney, that they feel ‘commanded’ to write a poem. It’s sounds a bit
grandiose, but it’s so special when that happens and feels much more natural
and unconsciously done. You’re not drafting the hell out of a poem which
doesn’t feel like being written. I think there should be an imperative for
writing a poem, otherwise it won’t work. Also, I have no idea where a poem
might be heading when I start to draft it. My notebook will be full of rough
drafts and then I’ll underline the things that work and cut out what doesn’t.
The only workshops I go to are the ones held in Sheffield by The Poetry
Business, so I have lots of stream of consciousness poems in books waiting to
be edited.
I
feel sorry for the abandoned poems, the ones that Sylvia Plath refers to as the
malformed ones. There are so many now, they had such good intentions, poor
things. Sometimes, they manage to creep out of the drawer.
Next week it's Jayne
Stanton's turn! Jayne has been published widely in many magazines and is an great poetry enthusiast! Not only is
she a poet, but she's also a teacher and musician. She lives,
works and writes in Leicestershire. Her debut pamphlet
is forthcoming from Soundswrite Press in autumn 2014. Her blog can be found here.
No comments:
Post a Comment